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Paul McCarthy: Central Symmetrical Rotation Movement
Three Installations, Two Films

June 26–Oct 12, 2008

Installation view of Paul McCarthy: Central Symmetrical Rotation Movement, Three Installations, Two Films (Whitney Museum of American Art, New York, June 26–October 12, 2008). Photograph by Sheldan C. Collins

Installation view of Paul McCarthy: Central Symmetrical Rotation Movement, Three Installations, Two Films (Whitney Museum of American Art, New York, June 26–October 12, 2008). Photograph by Sheldan C. Collins

This exhibition brings together a group of new and rarely seen works by Paul McCarthy (b. 1945), one of the most influential American artists of his generation. The show focuses on a core strand of McCarthy’s work: the use of architecture to create perceptual disorientation in the viewer through spinning mirrors, rotating walls, projections, and altered space.

In Bang Bang Room (1992), the space almost seems to come alive as the walls of a free-standing domestic room move slowly in and out, the doors in each wall wildly slamming open and shut. In Spinning Room (2008), first conceived in 1971 but being realized for the first time for this show, live images of viewers are rotated and projected onto double-sided screens that appear infinitely reflected on four surrounding mirrored walls, enclosing the viewer in a wildly disorienting space. In Mad House (2008), being created for this show, a room spins disconcertingly on its axis. Two recently rediscovered films by McCarthy, one made in 1966 and one in 1971, reveal the artist’s interest in perceptual puzzlement from the very beginning of his career.

Video: Curator Chrissie Iles on the Exhibition

In this Whitney Focus video, Chrissie Iles, the Whitney’s Anne and Joel Ehrenkranz Curator, discusses the exhibition.

Major support for this exhibition is provided by the National Committee of the Whitney Museum of American Art in honor of Linda Pace. Generous support is provided by Warren and Allison Kanders.