Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
Triple Canopy’s work is on view in the Museum’s third floor galleries and online at canopycanopycanopy.com.
Triple Canopy is a magazine that advances a model for publication that encompasses digital works of art and literature, public conversations, exhibitions, and books. In Pointing Machines, the magazine's installation for the 2014 Biennial, Triple Canopy considers how the meaning of artworks shifts as they are commissioned, made, collected, disowned, replicated, photographed, exhibited, and published.
The installation connects the history of reproduction by technical and artistic means to the recent, remarkable collapse of the difference between objects and information. It consists largely of reproductions—by handcraft, 3-D printing, and photography—relating to the early American furniture and painting collection of Colonel Edgar William and Bernice Chrysler Garbisch, a portion of which was donated to the Whitney but later deaccessioned when the Museum decided to focus on the art of the twentieth century. Much of the imagery in the Garbisches’ folk paintings—authored by limners, or itinerant portraitists, and other craftsmen—was derived from engravings, photographs, and other widely circulated print images.
Triple Canopy's Biennial installation is part of a magazine issue, also titled Pointing Machines, to be published over the course of the next year at canopycanopycanopy.com. The title refers to one historical method for reproducing art objects: A pointing machine is a simple eighteenth- century measuring tool for copying sculpture in stone or wood by means of a system of adjustable rods and needles.
Academy Records and Matt Hanner
Ei Arakawa and Carissa Rodriguez
Robert Ashley and Alex Waterman
Lisa Anne Auerbach
Lucien Castaing-Taylor, Véréna
Paravel, and Sensory Ethnography Lab
Critical Practices Inc.
Zackary Drucker and Rhys Ernst
Radamés “Juni” Figueroa
Gaylen Gerber with David Hammons,
Sherrie Levine, and Trevor Shimizu
Tony Greene curated by Richard
Hawkins and Catherine Opie
Yve Laris Cohen
My Barbarian (Malik Gaines, Jade Gordon
and Alexandro Segade)
Sara Greenberger Rafferty
Steve Reinke with Jessie Mott
Valerie Snobeck and Catherine Sullivan
Charline von Heyl
David Foster Wallace