Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
To make the images included in the 2014 Biennial, Stephen Berens printed photographs from a previous project, 40 Views of Rome (2005), on top of one another sequentially. The original images are all views of a single landscape that he shot from his window during a residency at the American Academy in Rome.
In some of the new images, where only a few of the original views are layered, evidence of Berens's process is apparent in the overlapping trees, clouds, and buildings. As the series progresses and the layers continue to build, the images begin to appear virtually monochromatic. Details in the sky are the last to remain clearly visible. Yet even in the darkest print (superimposing eighteen images), the basic elements of the landscape can still be discerned, ghostlike in the blackness.
This project represents two major themes in Berens's practice: revisiting previous work as raw material for new work and exploring the unexpected, evocative results possible when working within a generative system.
Stephen Berens’s work is on view in the Museum’s fourth floor galleries.
Academy Records and Matt Hanner
Ei Arakawa and Carissa Rodriguez
Robert Ashley and Alex Waterman
Lisa Anne Auerbach
Lucien Castaing-Taylor, Véréna
Paravel, and Sensory Ethnography Lab
Critical Practices Inc.
Zackary Drucker and Rhys Ernst
Radamés “Juni” Figueroa
Gaylen Gerber with David Hammons,
Sherrie Levine, and Trevor Shimizu
Tony Greene curated by Richard
Hawkins and Catherine Opie
Yve Laris Cohen
My Barbarian (Malik Gaines, Jade Gordon
and Alexandro Segade)
Sara Greenberger Rafferty
Steve Reinke with Jessie Mott
Valerie Snobeck and Catherine Sullivan
Charline von Heyl
David Foster Wallace