Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
Rebecca Morris’s paintings are deeply serious, while raising issues of taste in an almost humorous way; they draw from historical forms and innovations and also are completely new and forward-looking. Deeply invested in painting as a medium, her works are inspired by all craft that responds to the idiosyncrasy of the artist’s hand. Her paintings share a strong underlying composition based on a gridded structure. On this foundation, Morris builds up her flat surface with tightly interlaid geometric shapes in a variety of textures and surface treatments to create pockets of expansiveness. Together these building blocks result in a completely personal language that Morris has developed, with a unique internal logic whose constituent parts are not always readily apparent.
In response to criticisms of abstract painting, Rebecca Morris wrote her manifesto, “For Abstractionists and Friends of the Non-Objective,” as a tongue-in-cheek yet absolutely sincere call to arms for practitioners of the form. This list of missives to herself, her students, and her fellow artists—including “Triangles are your friend”; “Never stop looking at macramé, ceramics, supergraphics and suprematism”; “Perverse formalism is your god”; “Make work that is so secret, so fantastic, so dramatically old school/new school that it looks like it was found in a shed, locked up since the 1940's”; and “When in doubt, spray paint it gold”—reveals the directness and contradictions characteristic of her work.
Rebecca Morris’s work is on view in the Museum’s second floor galleries.
Academy Records and Matt Hanner
Ei Arakawa and Carissa Rodriguez
Robert Ashley and Alex Waterman
Lisa Anne Auerbach
Lucien Castaing-Taylor, Véréna
Paravel, and Sensory Ethnography Lab
Critical Practices Inc.
Zackary Drucker and Rhys Ernst
Radamés “Juni” Figueroa
Gaylen Gerber with David Hammons,
Sherrie Levine, and Trevor Shimizu
Tony Greene curated by Richard
Hawkins and Catherine Opie
Yve Laris Cohen
My Barbarian (Malik Gaines, Jade Gordon
and Alexandro Segade)
Sara Greenberger Rafferty
Steve Reinke with Jessie Mott
Valerie Snobeck and Catherine Sullivan
Charline von Heyl
David Foster Wallace