Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
On view in the 2014 Biennial, Fells began with a question posed by sculptor Pam Lins about how to incorporate a painting into a sculpture, a proposal that she has been working for the past decade. Amy Sillman suggested that Lins begin a new work by taking and responding to one of Sillman's own canvases, and this began an ongoing back-and-forth exchange between their two studios. They continued this chain of moves and responses for over a year, Lins adding a form, Sillman changing a painting in reply, Lins painting a panel, and so on. The result is a hybrid structure in which the parts appear somehow coordinated and disjointed at the same time, its sculptural components challenging us to think about three-dimensional space even as its pictorial elements seem to disrupt that solid reality.
Work by Amy Sillman and Pam Lins is on view in the Museum’s fourth floor galleries.
Academy Records and Matt Hanner
Ei Arakawa and Carissa Rodriguez
Robert Ashley and Alex Waterman
Lisa Anne Auerbach
Lucien Castaing-Taylor, Véréna
Paravel, and Sensory Ethnography Lab
Critical Practices Inc.
Zackary Drucker and Rhys Ernst
Radamés “Juni” Figueroa
Gaylen Gerber with David Hammons,
Sherrie Levine, and Trevor Shimizu
Tony Greene curated by Richard
Hawkins and Catherine Opie
Yve Laris Cohen
My Barbarian (Malik Gaines, Jade Gordon
and Alexandro Segade)
Sara Greenberger Rafferty
Steve Reinke with Jessie Mott
Valerie Snobeck and Catherine Sullivan
Charline von Heyl
David Foster Wallace