Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
Amy Sillman is known for working with floating, awkwardly geometric forms that often cross the line from abstraction into figuration. In Mother, which grew out of her collaboration with Pam Lins, her composition is relatively locked down, its upright rectangles hinting at a grid. Historically, the grid has provided a way for abstract painters to acknowledge or play with the canvas’s frame. Sillman’s rectangles also respond to the real-world boxes, drawers, plinths, and other right-angled forms that Lins presented to her over the course of their collaboration. The result is an almost organic sense of imperfection and palpable materiality, giving these abstract forms some feel of the human body.
Work by Amy Sillman is on view in the Museum’s fourth floor galleries.
See also: Amy Sillman and Pam Lins
Academy Records and Matt Hanner
Ei Arakawa and Carissa Rodriguez
Robert Ashley and Alex Waterman
Lisa Anne Auerbach
Lucien Castaing-Taylor, Véréna
Paravel, and Sensory Ethnography Lab
Critical Practices Inc.
Zackary Drucker and Rhys Ernst
Radamés “Juni” Figueroa
Gaylen Gerber with David Hammons,
Sherrie Levine, and Trevor Shimizu
Tony Greene curated by Richard
Hawkins and Catherine Opie
Yve Laris Cohen
My Barbarian (Malik Gaines, Jade Gordon
and Alexandro Segade)
Sara Greenberger Rafferty
Steve Reinke with Jessie Mott
Valerie Snobeck and Catherine Sullivan
Charline von Heyl
David Foster Wallace