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Courses & Workshops

Artists’ Communities

This six-week course focuses on “Artists’ Communities” and explores the informal networks, communities, and movements that develop among artists working with similar concerns and a shared sensibility. It begins by looking back to historical groups such as the Stieglitz circle, and then examines the Earth Art movement, the Pictures Generation, and more contemporary communities.This course includes two guided tours of downtown galleries.

Instructor: Suzanne Hudson. Hudson is Assistant Professor, Modern and Contemporary Art at the University of Southern California. She is co-founder of the Contemporary Art Think Tank and president of the College Art Association-affiliated Society of Contemporary Art Historians. A regular contributor to Artforum, she is the author of Robert Ryman: Used Paint (MIT Press, 2009).

Six Thursdays
October 13, 20, 27; November 3, 10 and 17

Morning Session: 9:30–11:00 am
OR
Afternoon Session: 1:30-3:00 pm

Sherrie Levine, “La Fortune” (After Man Ray: 4), 1990. Felt and mahogany, 33 × 110 × 60 in. (83.8 × 279.4 × 152.4 cm) overall. Edition of 6. Whitney Museum of American Art, New York; purchase with funds from Joanne Leonhardt Cassullo, Beth Rudin DeWoody, Eugene Schwartz, and Robert Sosnick  92.1a-h
© 1990 Sherrie Levine

Sherrie Levine, “La Fortune” (After Man Ray: 4), 1990. Felt and mahogany, 33 × 110 × 60 in. (83.8 × 279.4 × 152.4 cm) overall. Edition of 6. Whitney Museum of American Art, New York; purchase with funds from Joanne Leonhardt Cassullo, Beth Rudin DeWoody, Eugene Schwartz, and Robert Sosnick  92.1a-h

© 1990 Sherrie Levine