Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
I'm a space cadet. I always zone out and enter new voids. An extremely wide range of styles and cultures run through me. I was born in Fairfax, VA but I was raised in Brooklyn, NY. I am Jamaican, African American, and Eastern European. I came to Youth Insights to grow and expand. I wanted to meet and work with people who have similar interests. In my eyes, art represents beauty, energy, emotions, and/or social issues. Music and color are my biggest inspirations. My most specific aspiration is to be a musician, but I strive to be a philanthropist and to help the world become positive, equal, safe, and enlightened.
According to our plans, the bridge will serve as a place where people can gather and spend time together in little private enclosed areas within the newly-purposed bridge. The interior will consist of a sort-of hedge-maze (not the intent of the space though!), but not so that it is difficult to navigate when inside. The green hedges (possibly specked with colorful flowers, can be decorated to reflect the approaching holidays or events, and so the appearance of the hedges will be constantly changing) will be used to close off certain areas where unique, artisan-crafted benches of different lengths and designs will be placed. I propose that nothing be used to separate the bridge from the outside world (glass will not enclose or protect what is inside the bridge). Heat lamps (powered in some environmentally friendly way, possible by solar panels) will be either placed or hung in each “hedge room,” to create for a comfortable environment.
We propose that the bridge be placed in Central Park. It will be a place for New Yorkers to meet and relax in a cool and unique setting! It would be a new “attraction” that would add, in a positive way, to our city’s culture. I hope that it would inspire busy New Yorkers to stop and take in the smaller, more intimate attractions of the city. I believe it would appeal to a different New Yorker population, one that appreciates the smaller-scale, more hospitable atmosphere rather than the large, big business tradition of the city. I would certainly appreciate it!
All of our bridge ideas incorporate the concept of détournement; the idea of moving the bridge to a new location, in general, is détournement in its own form. Our plan is to alter the bridge’s structure or the bridge’s purpose, and détournement is about the idea of variation on something. What we are planning on doing, (moving and slightly altering the bridge), is a minor détournement, as we are transporting an ordinary object (although beautiful and historic) and placing it in a new context, where it will have an altered purpose.
Détournement is defined as a variation on a previous media work, and as Sherrie Levine did exactly this and emphasized the importance of repetition. Most of Levine’s artwork consists of ideas from past influential artists, and in some cases, literally photographing another artist’s pictures and hanging them on a wall. Her whole idea was about repurposing and exposing the work of previous artists, but while making it her own. Levine is a détournement artist at the core of it, as her art is, in simplest terms, a mimicry of other art. Her artwork can fall into both the “minor” and “deceptive” categories of détournement.
by Amhara, Francesca, and Lily