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Edward Hopper

Early Sunday Morning

1930

about this work

Early Sunday Morning is one of Edward Hopper’s most iconic paintings. Although he described this work as “almost a literal translation of Seventh Avenue,” Hopper reduced the New York City street to bare essentials. The lettering in the window signs is illegible, architectural ornament is loosely sketched, and human presence is merely suggested by the various curtains differentiating discrete apartments. The long, early morning shadows in the painting would never appear on a north-south street such as Seventh Avenue. Yet these very contrasts of light and shadow, and the succession of verticals and horizontals, create the charged, almost theatrical, atmosphere of empty buildings on an unpopulated street at the beginning of the day. Although Hopper is known as a quintessential twentieth-century American realist, and his paintings are fundamentally representational, this work demonstrates his emphasis on simplified forms, painterly surfaces, and studiously constructed compositions.

Edward Hopper, Early Sunday Morning, 1930  31.426
Edward Hopper, Early Sunday Morning, 1930. Oil on canvas, 35 3/16 × 60 1/4 in. (89.4 × 153 cm). Whitney Museum of American Art, New York; purchase with funds from Gertrude Vanderbilt Whitney  31.426 For Teachers
© Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art, New York

Maxwell L. Anderson. American Visionaries: Selections from the Whitney Museum of American Art. (New York: Whitney Museum of American Art, 2001), 143.