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Works available online

This selection reflects the wide range of mediums and movements in the Whitney’s collection, which comprises over 21,000 works. Works are being added to the online selection on an ongoing basis.

About the collection

The Whitney’s collection—comprising more than 21,000 paintings, sculptures, drawings, prints, photographs, films, videos, and new media by more than 3,000 artists—contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty-first centuries.

The Museum’s rich holdings of realist and modernist work, Precisionism, Abstract Expressionism, Pop art, and Minimalism are particular strengths of the collection. In addition, the Museum has collected work by individuals who have shaped recent artistic practice but defy easy categorization by movement or medium. Gertrude Vanderbilt Whitney, the founder of the Museum, focused her collecting efforts on living artists, and this emphasis has been a guiding principle of the collection for the past eight decades. An appreciation of the areas of inquiry, working methods, and material exploration of today’s living artists guides our current acquisitions.

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Paul Cadmus<br /><i>To the Lynching!</i>, 1935<br /><span class='accession-number'>36.32</span>
Joe Jones<br /><i>American Farm</i>, 1936<br /><span class='accession-number'>36.144</span>
Audio
Elizabeth Murray<br /><i>Untitled States (I–V)</i>, 1981<br /><span class='accession-number'>2008.274a-e</span>
Marsden Hartley<br /><i>Robin Hood Cove, Georgetown, Maine</i>, 1938<br /><span class='accession-number'>87.63</span>
Willem de Kooning<br /><i>Door to the River</i>, 1960<br /><span class='accession-number'>60.63</span>
Charles Demuth<br /><i>Distinguished Air</i>, 1930<br /><span class='accession-number'>68.16</span>
Audio
Federico Castellón<br /><i>The Dark Figure</i>, 1938<br /><span class='accession-number'>42.3</span>
Oscar Bluemner<br /><i>A Situation in Yellow</i>, 1933<br /><span class='accession-number'>67.66</span>
Audio
Agnes Martin<br /><i>Milk River</i>, 1963<br /><span class='accession-number'>64.10</span>
Alexander Calder<br /><i>The Wild Beast Cage</i>, 1932<br /><span class='accession-number'>80.50.2</span>
Barbara Kruger<br /><i>Untitled (Thinking of You)</i>, 1999–2000<br /><span class='accession-number'>2000.217</span>
Audio
Eva Hesse<br /><i><em>No title</em></i>, 1970<br /><span class='accession-number'>88.17a-b</span>
Video
Chris Ware<br /><i>Jimmy Corrigan: <span class="caps"><span class="caps"><span class="caps">ACME</span></span></span> 14: Amy shuts door on Jimmy</i>, 1999<br /><span class='accession-number'>2003.84</span>
Mark Lombardi<br /><i><span class="caps"><span class="caps"><span class="caps">BCCI</span></span></span>-<span class="caps"><span class="caps"><span class="caps">ICIC</span></span></span> & <span class="caps"><span class="caps"><span class="caps">FAB</span></span></span>, 1972-91 (4th Version)</i>, 1996–2000<br /><span class='accession-number'>2000.250.1</span>
Reginald Marsh<br /><i>Twenty Cent Movie</i>, 1936<br /><span class='accession-number'>37.43</span>
Audio
Alice Aycock<br /><i>Untitled (Shanty)</i>, 1978<br /><span class='accession-number'>84.71.1</span>
Peter Blume<br /><i>Light of the World</i>, 1932<br /><span class='accession-number'>33.5</span>
Edward Ruscha<br /><i>Twentysix Gasoline Stations</i>, 1963<br /><span class='accession-number'></span>
Thomas Hart Benton<br /><i>The Lord is My Shepherd</i>, 1926<br /><span class='accession-number'>31.100</span>
Audio Video
Adam McEwen<br /><i>Untitled (Jeff)</i>, 2004<br /><span class='accession-number'>2006.94.2</span>
Alfred Stieglitz<br /><i>The City of Ambition</i>, 1910 (printed 1911)<br /><span class='accession-number'>2007.49</span>
Audio
Jaune Quick-To-See Smith<br /><i>War is Heck</i>, 2002<br /><span class='accession-number'>2006.287</span>
Edward Hopper<br /><i>East Side Interior</i>, 1922<br /><span class='accession-number'>70.1020</span>
Audio
Kristin Baker<br /><i>Ride to Live, Live to Ride</i>, 2004<br /><span class='accession-number'>2005.107a-c</span>
Elizabeth Murray<br /><i>Spoon Drawing for Max</i>, 1985<br /><span class='accession-number'>2008.270</span>
Yayoi Kusama<br /><i>Fireflies on the Water</i>, 2002<br /><span class='accession-number'>2003.322a-tttttttt</span>
Audio Video
Jamel Shabazz<br /><i>Untitled (Two Guys Looking at Sunglasses)</i>, 1981 (printed 2001)<br /><span class='accession-number'>2010.133</span>
Shahzia Sikander<br /><i>Reinventing the Dislocation</i>, 1997<br /><span class='accession-number'>97.83.4</span>
Edward Ruscha<br /><i>Two Sheets Stained With Blood</i>, 1973<br /><span class='accession-number'>2005.50</span>
Richard Misrach<br /><i>Bomb Crater and Destroyed Convoy, Bravo 20 Bombing Range, Nevada</i>, 1986<br /><span class='accession-number'>93.72</span>
Steven Parrino<br /><i>Process Cult</i>, 2004<br /><span class='accession-number'>2006.70</span>
Alfred Leslie<br /><i>Alfred Leslie/1966-67</i>, 1966–67<br /><span class='accession-number'>67.30</span>
Ezra Stoller<br /><i>Whitney Museum of American Art (at night), New York City (1966), Architect: Marcel Breuer</i>, 1966<br /><span class='accession-number'>2000.86</span>
R. H. Quaytman<br /><i>Distracting Distance, Chapter 16</i>, 2010<br /><span class='accession-number'>2010.56</span>
John Coplans<br /><i>Self-Portrait (Interlocking Fingers, No. 18)</i>, 2000<br /><span class='accession-number'>2000.98</span>
Emmet Gowin<br /><i>Aeration Pond, Toxic Water Treatment Facility, Pine Bluff, Arkansas</i>, 1989 (printed 1992)<br /><span class='accession-number'>99.5.3</span>
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