Whitney Biennial 2006:
Day for Night
Mar 2–May 28, 2006
Installation view of the Whitney Biennial 2006: Day for Night (Whitney Museum of American Art, New York, March 2–May 28, 2006). Photograph by Sheldan C. Collins
The Whitney's signature panoramic survey of the latest in American art is the seventy-third in the series of Annuals and Biennials inaugurated by Gertrude Vanderbilt Whitney in 1932. The 2006 Biennial examines contemporary art-making in America at a moment of profound global change. The exhibition, titled Day for Night after François Truffaut's 1973 film, conjures a mood of dark intensity, shifting between beauty and degradation, doubt and conformity, the seductive and the strange.
Installation Photography
Installation view of the Whitney Biennial 2006: Day for Night (Whitney Museum of American Art, New York, March 2–May 28, 2006). Photograph by Sheldan C. Collins
Installation view of the Whitney Biennial 2006: Day for Night (Whitney Museum of American Art, New York, March 2–May 28, 2006). Photograph by Sheldan C. Collins
Installation view of the Whitney Biennial 2006: Day for Night (Whitney Museum of American Art, New York, March 2–May 28, 2006). Photograph by Sheldan C. Collins
Installation view of the Whitney Biennial 2006: Day for Night (Whitney Museum of American Art, New York, March 2–May 28, 2006). Photograph by Sheldan C. Collins
Installation view of the Whitney Biennial 2006: Day for Night (Whitney Museum of American Art, New York, March 2–May 28, 2006). Photograph by Sheldan C. Collins
Installation view of the Whitney Biennial 2006: Day for Night (Whitney Museum of American Art, New York, March 2–May 28, 2006). Photograph by Sheldan C. Collins
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in the Whitney's collection
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In the News
“This [biennial] is partly about preaching to the converted. It is packaged—branded might be the better word—as a show long on collaboration and open-endedness: several shows under one roof. But it has other goals too. You wouldn’t say bliss is one of them.” —The New York Times
“Unlike most large group shows, [the Biennial] has a point of view. Because [it] is a frankly political exhibition, it demands to be judged within [the curators’] chosen political terms.” —The Burlington Magazine
More from this series
Learn more about the Whitney Biennial, the longest-running survey of American art.